NSPCC / Disclosure
Client / NSPCC
Director / Danny Baldwin
Animation / Michael Lester
Character Design / Gica Ta
Producer / Phoebe Haines & Georgia Hussey
Creative Director / Thom Wood & Guy Saville
Editor & SFX / Jon Beagley
NSPCC / Lifecycle Of A Service
Client / NSPCC
Director / Guy Saville
Animation Director / Andrew Khosravani
Producer / Kezia Clark
Editor / Jon Beagley
Writing / Thom Wood
Music Composition & Sound Design / Small Press Music
Walgreens Boots / Setting the Pace
Client / Walgreen Boots Alliance
Animation Directors / Catfish Collective
Writing / Claire Wilkinson
Producer / Kezia Clark
Sound Design / Tim Sutton
Client Producer / Amir Adhamy
NSPCC / Your Tomorrow
Client / NSPCC
Director / Guy Saville
Writing / Guy Saville & Thom Wood & Caroline Rawlings
Head Of Animation / Bishoy Gendi
Animation Team / Michael Gendi & Abel Reverter
Mencap / #DontMissOut
Client / Mencap
Co-Director / Ruth Sewell
Editor & Sound Design / Sam Woodcock
Animation Director / Peter Baynton - Radish Pictures
Whether it's the last of the milk, the last night-bus home, or something more serious like help with healthcare - missing out sucks. That’s why Mencap want everyone with a learning disability to know about all of the additional medical support available to them.
Created with this very specific target audience in mind, we worked with animator Peter Baynton (The Tiger Who Came to Tea), to maximise accessibility through easy to understand scenes, featuring distinctive characters and a vivid colour palette.
Designed to be an evergreen explainer animation, this has been used since 2017 as a key asset in Mencap's #dontmissout campaign, encouraging sign-ups to the Learning Disability Register.
NSPCC / Will's Story
Client / NSPCC
Director / Guy Saville
Writing / Guy Saville
Animation / Yuka Takeda
Sound Design / Rob Manning
An emotionally delicate animation about self-harm, how it can affect young people and the remedial power of talking about trauma.
The NSPCC challenged us to find a new way to portray self-harm, to create a film that could provide gentle reassurance and guidance to an extremely sensitive target audience, without using potentially triggering imagery.
The film was used as a resource on the new Childline website. Yuka Takeda’s combination of hand-drawn illustration and stop-motion papercraft technique was awarded a Lovie for Best Animation.